हिन्दुओं का यह भोग नंदीश्वर मंदिर भगवान शिव को समर्पित है।

भोग नंदीश्वर मंदिर कर्नाटक राज्य के चिक्कबल्लापुर जिले में नंदी पहाड़ियों के आधार पर नंदी गांव में स्थित एक हिंदू मंदिर है।

परिसर में मूल मंदिर, जिसे कर्नाटक के सबसे पुराने मंदिरों में से एक माना जाता है, 9वीं शताब्दी की शुरुआत का है। भारतीय पुरातत्व सर्वेक्षण के अनुसार शिव के लिए मंदिर के निर्माण का जिक्र करते हुए सबसे पहले शिलालेख, नोलंबा वंश के शासक नोलंबिराजा और राष्ट्रकूट सम्राट गोविंदा III, दिनांक सी.806, और बाण शासकों जयतेजा और दतिया सी की तांबे की प्लेटों के हैं। . .810. मंदिर बाद में उल्लेखनीय दक्षिण भारतीय राजवंशों के संरक्षण में था: गंगा राजवंश, चोल साम्राज्य, होयसला साम्राज्य और विजयनगर साम्राज्य। मध्ययुगीन काल के बाद, चिक्कबल्लापुर के स्थानीय प्रमुखों और मैसूर साम्राज्य के शासकों ने इस क्षेत्र को नियंत्रित किया, इससे पहले कि यह अंततः 1799 में टीपू सुल्तान की मृत्यु के बाद ब्रिटिश शासन के अधीन आ गया। स्थापत्य शैली द्रविड़ है। मंदिर बैंगलोर से 60 किमी की दूरी पर स्थित है। मंदिर को भारतीय पुरातत्व सर्वेक्षण द्वारा राष्ट्रीय महत्व के स्मारक के रूप में संरक्षित किया गया है।



मंदिर परिसर में दो बड़े मंदिर हैं: दक्षिण में "अरुणाचलेश्वर", तलकड़ की गंगा द्वारा निर्मित मंदिर, और उत्तर में चोलों द्वारा निर्मित "सो तमाशाबीन नंदीश्वर" मंदिर। इसमें एक राजा की मूर्ति है जिसे राजेंद्र चोल का माना जाता है। बीच में "उमा-महेश्वर" नामक एक छोटा मंदिर है, जिसमें कल्याण मंडप है, जो काले पत्थर में अलंकृत स्तंभों द्वारा समर्थित है, जिसमें हिंदू देवताओं शिव और उनकी पत्नी पार्वती, ब्रह्मा को दर्शाया गया है। और सरस्वती, विष्णु और उनकी पत्नी लक्ष्मी, अग्नि के देवता अग्नि और उनकी पत्नी स्वाहा देवी, और बस-राहत में सजावटी दाखलताओं और पक्षियों। यह होयसल वास्तुकला की विशिष्टता है। कला इतिहासकार जॉर्ज मिशेल के अनुसार, मंदिर 9वीं -10 वीं शताब्दी का एक विशिष्ट नोलम्बा निर्माण है, जिसमें मंदिरों की बाहरी दीवारों पर खंभे, छिद्रित सजावटी पत्थर की खिड़कियां, एक नृत्य करने वाले शिव के आंकड़े हैं। भैंस के सिर पर खड़ी दुर्गा। पिरामिड और स्तरीय मीनारें दो प्रमुख मंदिरों से निकलती हैं।


प्रत्येक प्रमुख मंदिर में गर्भगृह में एक बड़ा लिंग है, जिसमें मंदिर के सामने एक मंडप में नंदी की मूर्ति है। मिशेल के अनुसार, 16 वीं शताब्दी के विजयनगर काल के दौरान, दो प्रमुख मंदिरों के बीच सुरुचिपूर्ण स्तंभों वाला एक मंडप जोड़ा गया था। ग्रे-हरे ग्रेनाइट से बने स्तंभों में परिचारक युवतियों की राहत की मूर्तियां हैं। मिशेल सोचता है कि नाबालिग "उमा-महेश्वर" मंदिर को येलहंका वंश के गौदास के विजयनगर शासन के बाद दो प्रमुख मंदिरों (मंडप के पीछे) के बीच जोड़ा गया था। छोटे मंदिर में दीवार पर नक्काशी में देवताओं और ऋषियों का जुलूस होता है। दो प्रमुख मंदिरों को जोड़ने वाली दीवार का निर्माण चतुराई से किया गया था ताकि उन्हें दो मूल मंदिरों से अलग किया जा सके। दो प्रमुख मंदिरों के सामने एक विशाल खंभों वाला हॉल भी जोड़ा गया था।

मंदिर परिसर का विहंगम दृश्य:-
हिंदू पौराणिक कथाओं के अनुसार, शिव के "अरुणाचलेश्वर" और "भोग नंदेश्वर" रूप, भगवान शिव के जीवन में दो चरणों का प्रतिनिधित्व करते हैं: बचपन और युवावस्था। "उमा-महेश्वर" मंदिर तीसरे चरण, देवी पार्वती के साथ शिव के विवाह को दर्शाता है। इसलिए यह मंदिर नवविवाहितों के बीच लोकप्रिय है जो आशीर्वाद लेने आते हैं। नंदी पहाड़ियों की चोटी पर योग नंदीश्वर मंदिर शिव के जीवन में अंतिम "त्याग" चरण का प्रतिनिधित्व करता है और इसलिए मंदिर किसी भी उत्सव से रहित है। बड़े मंदिरों में से प्रत्येक में एक गर्भगृह, एक वेस्टिबुल और एक बंद हॉल था। वेस्टिबुल और हॉल छिद्रित पत्थर के पर्दे से ढके होते हैं जिन्हें जाली कहा जाता है। गर्भगृह के सामने प्रत्येक मंदिर में एक नंदी मंडप है। मंदिरों के उत्तर में यली स्तंभों के साथ एक नवरंग मंडप (मंडप) के साथ एक दूसरा परिसर है। इस परिसर से परे एक महान कदम मंदिर का तालाब (कल्याणी या पुष्कर्णी) है, जिसे स्थानीय रूप से "श्रृंगेरी तीर्थ" (पिनाकिनी नदी का पौराणिक स्रोत) कहा जाता है, जहां कुछ उत्सव के दिनों में दीपक जलाए जाते हैं।

More Post

A Spiritual Odyssey: Examining the Core of Christianity

1. Building Blocks of Faith: Jesus' Life and Teachings: The life and teachings of Jesus Christ form the basis of Christianity. His teachings on forgiveness, love, and compassion serve as the cornerstone of Christianity. His life and career are chronicled in the Gospels, which provide believers with spiritual and moral guidance that is relevant to all eras and societies. The profound Beatitudes presented in the Sermon on the Mount serve as an encapsulation of the transforming ethics that continue to shape Christian morality.

Religion and Social Concerns Caste Structure and the Empowerment of Women

Hinduism is one of the oldest and most diverse religious traditions in the world. Over the years, it has been deeply connected with social systems and cultural norms which have greatly impacted people’s lives for centuries. This paper will discuss two major social concerns that exist within Hindu society – caste system and women’s status. We will look at their historical background, development over time as well as current challenges faced by them; besides we are going to touch upon attempts made towards changing these aspects taking into consideration insights from Hindu religious texts, historical records and contemporary discourses.

Caste System in Hindu Society: Historical Views and Modern ChallengesThe “varna vyavastha” or caste system is a hierarchical division of people into different groups based on their birth, occupation and social status . There are four main categories under this traditional varna system:

  • Brahmins (Priests): They belong to highest varna who perform priestly duties such as conducting rituals, studying scriptures etc.
  • Kshatriyas (Warriors): This class includes warriors responsible for protecting society against external aggression and ruling kingdoms internally.
  • Vaishyas (Merchants): Members of business community engaged mainly in wealth creation through trade activities like agriculture among others.
  • Shudras (Servants): Labourers performing manual tasks considered inferior by other higher castes; they serve those above them.

कपिला तीर्थम आंध्र प्रदेश के चित्तूर जिले में तिरुपति का एक सैवइट मंदिर और तीर्थम है।

हिंदी धर्म के अनुसार मूर्ति को कपिला मुनि द्वारा स्थापित किया गया था तभी यहां भगवान शिव को कपिलेश्वर के रूप में जाना जाता है।

The Importance of Meditation and Yoga in Hindu Philosophy: A Comprehensive Exploration

Description: Discover the profound importance of meditation and yoga in Hindu philosophy. Explore their spiritual foundations, practical applications, and transformative potential in Vedic tradition.


The practices of meditation and yoga occupy a central position within Hindu philosophical tradition, representing not merely physical or mental exercises but comprehensive pathways toward spiritual realization and ultimate liberation. These ancient disciplines, developed and refined over thousands of years, embody profound insights into the nature of consciousness, the human condition, and the methods by which individuals can transcend suffering and realize their highest potential.

This exploration examines the foundational importance of meditation and yoga within Hindu thought, tracing their philosophical underpinnings, practical applications, and enduring relevance. By engaging with these subjects respectfully and rigorously, we can appreciate how these time-honored practices continue to offer transformative possibilities for spiritual seekers across diverse cultural contexts.

Historical and Textual Foundations

The roots of meditation and yoga within Hindu tradition extend deep into antiquity, with references appearing in some of the oldest known religious texts. Understanding this historical context provides essential background for appreciating their philosophical significance.

Vedic Origins

The earliest mentions of meditative practices appear in the Vedas, the most ancient Hindu scriptures, particularly in hymns that describe states of concentrated awareness and communion with divine reality. The Rigveda, dating to approximately 1500 BCE or earlier, contains references to practices involving focused attention and inner absorption.

However, it is in the Upanishads, philosophical texts that form the concluding portions of Vedic literature, that we find systematic exposition of meditative practices and their spiritual significance. These texts, composed between approximately 800 and 200 BCE, articulate sophisticated understandings of consciousness and provide detailed guidance on contemplative methods.

The Brihadaranyaka Upanishad, Chandogya Upanishad, and Katha Upanishad, among others, present meditation as the primary means for realizing Brahman—the ultimate reality underlying all existence. These texts establish that direct spiritual knowledge cannot be obtained through ordinary sensory perception or intellectual analysis alone but requires transformation of consciousness through sustained contemplative practice.

The Yoga Sutras of Patanjali

Perhaps the most influential systematic presentation of yoga philosophy appears in the Yoga Sutras, attributed to the sage Patanjali and composed sometime between 400 BCE and 400 CE. This concise text of 196 aphorisms provides a comprehensive framework for understanding the nature of mind, the causes of suffering, and the methods for achieving liberation through yogic discipline.

Patanjali defines yoga in the very second sutra as "chitta vritti nirodha"—the cessation of mental fluctuations or the stilling of the modifications of consciousness. This definition establishes yoga not primarily as physical postures but as a comprehensive system for managing and transforming consciousness itself.

The text outlines the eight limbs (ashtanga) of yoga, providing a complete roadmap for spiritual development that encompasses ethical conduct, physical discipline, breath regulation, sensory withdrawal, concentration, meditation, and ultimately, samadhi—a state of complete absorption and unity consciousness.

The Bhagavad Gita

The Bhagavad Gita, composed between 400 BCE and 200 CE, presents yoga within a broader theological and ethical framework. This sacred text, which takes the form of a dialogue between Prince Arjuna and Lord Krishna, describes multiple yoga paths suited to different temperaments and circumstances.

The Gita articulates karma yoga (the path of selfless action), bhakti yoga (the path of devotion), jnana yoga (the path of knowledge), and dhyana yoga (the path of meditation), presenting these not as mutually exclusive alternatives but as complementary approaches that can be integrated according to individual needs and capacities.

Significantly, the Gita democratizes yoga, making it accessible not only to renunciants who withdraw from worldly life but also to householders engaged in ordinary social responsibilities. This inclusive vision has contributed substantially to yoga's enduring relevance and adaptability.

Philosophical Foundations: Understanding the Problem and the Solution

To appreciate the importance of meditation and yoga in Hindu philosophy, one must first understand the fundamental problem these practices address and the vision of human potential they embody.

The Nature of Suffering and Ignorance

Hindu philosophical systems, while diverse in their specific formulations, generally agree that human beings experience suffering (duhkha) due to fundamental ignorance (avidya) about the nature of reality and the self. This ignorance manifests as misidentification—mistaking the temporary for the permanent, the limited self for the true Self, and phenomenal appearances for ultimate reality.

The Yoga Sutras identify five primary afflictions (kleshas) that perpetuate this ignorance: avidya (ignorance itself), asmita (egoism or false identification), raga (attachment), dvesha (aversion), and abhinivesha (fear of death or clinging to life). These afflictions create karmic patterns that bind consciousness to cycles of birth, death, and suffering.

Vedantic philosophy articulates this condition through the concept of maya—the cosmic principle of illusion that veils true reality and creates the appearance of multiplicity and separation. Caught within maya's spell, individuals mistake appearances for reality and consequently act in ways that perpetuate bondage rather than liberation.

The Vision of Liberation

Against this diagnosis of the human condition, Hindu philosophy presents an extraordinarily optimistic vision of human potential. Liberation (moksha) is possible because the essential nature of the self (atman) is fundamentally pure, unchanging, and identical with ultimate reality (Brahman).

The problem is not that human beings lack this divine nature but that it remains obscured by the aforementioned ignorance and afflictions. Spiritual practice does not create something new but rather removes obstacles that prevent recognition of what already exists.

This understanding establishes meditation and yoga as fundamentally revelatory rather than acquisitive practices. They do not confer spiritual status from external sources but facilitate direct recognition of one's true nature.

The Role of Practice

If liberation represents the recognition of what already is, why is sustained practice necessary? Hindu philosophy provides several interrelated answers to this question.

First, the patterns of ignorance and misidentification have become deeply ingrained through countless lifetimes of conditioned behavior. These samskaras (mental impressions) require systematic effort to dissolve.

Second, the mind in its ordinary state remains constantly agitated, moving from thought to thought, desire to desire, without rest. Such a mind cannot perceive subtle realities or recognize its own essential nature. Meditation and yoga provide methods for calming mental turbulence and developing the stability and clarity necessary for spiritual insight.

Third, true understanding must be experiential rather than merely intellectual. One may intellectually comprehend that the self is not the body or that reality is ultimately unified, but such conceptual knowledge differs profoundly from direct realization. Practice bridges the gap between conceptual understanding and lived experience.

Culture in the Digital Age Hindu Film, Music, and Art

The art and cinema of Hinduism are very important in the vast tapestry of Hindu culture. These expressions not only entertain but also serve as channels for spiritual exploration and cultural preservation. Traditional forms of Hindu art are currently witnessing a fascinating metamorphosis as they blend ancient traditions with contemporary technology to cater to wider audiences and resonate with today’s feelings. This article examines how Hindu art, music, and cinema have been reimagined in the digital era by discussing how age-old practices are being reinterpreted for modern sensibilities.

Hindu Art in the Digital Age:

Hindu art is famous for its complex patterns, bright colors, as well as spiritual themes. From the earliest cave paintings to elaborate temple carvings, visual arts have served as key mediums for conveying information about Hindu mythology, philosophy, and cultural principles. In this era of digitalization; however, traditional forms of Hindu art are finding new life through various means including digital painting, animation, or even virtual reality.

कुरान में बकरीद के दिन अल्लाह ने हज़रत इब्राहिम को सपने में अपनी सबसे प्यारी चीज़ की कुर्बानी देने का आदेश दिया था।

मुस्लिम धर्म के अनुसार बकरीद के दिन जानवरों की कुर्बानी दी जाती है, उस समय हजरत इब्राहिम के घर 80 साल की उम्र में एक बच्चे का जन्म हुआ था।